We recently interviewed Lincolnshire musician Jaz Beeson about her new single ‘Wanna Know’ (head to our Instagram if you haven’t seen it yet). When we asked her to describe her sound she said it was Sunflower Pop. But what exactly is that?
Well we asked her to put together a playlist to add a bit of context and we’re soo glad she agreed, there are some top tunes on there to make you smile!
On her sound, Jaz said it was: “tunes for golden hour road trips and twirling through daisy-dappled fields.” Sounds good to us!
In the latest in our series of interviews with some fantastic local artists we caught up with self declared ‘Sunflower Pop’ artist Jaz Beeson. As an artist she’s taken some time away working on a new sound alongside local producer Joey Walker and this latest offering ‘Wanna Know’ sees her music rise to a new level!
Following the release of the new single Stardog, we caught up with Mitch from the band to discuss their new video, what they’ve been up to during lockdown and some of their favourite things about festivals.
We started Beyond The Woods as a way to support local musicians. Being in bands ourselves, we wanted to put on an event that brought Lincolnshire artists together to celebrate the massive amount of talent in our area.
Whilst, in recent years, we’ve booked a number of acts from further afield, we’ve still been working closely with our friends at BBC Introducing in Lincolnshire to make sure we’re showcasing some of the best local acts.
In 2018 a relatively new to the scene artist took to our stage and promptly blew everyone away. It’s safe to say that Holly Humberstone was a real standout at that year’s festival.
We’ve been keeping an eye on her journey ever since that summer, which has seen her perform at Glastonbury, support Lewis Capaldi at Wembley Arena, appear on Jimmy Kimmel in the US and break onto the Radio 1 daytime playlist. It’s fair to say she’s gone a long way since playing at our festival warmup gig at The West End Tap in Lincoln a month or two before BTW 2018.
She’s started 2021 with a bang having been announced as the runner up in the BBC’s Sound of 2021 poll – a prestigious poll of music critics with previous winners including Sigrid, Sam Smith and Jack Garratt.
It’s great to see a local act do so well and we know that her success is inspiring local musicians and blazing a trail for acts in our area. A big congrats from all of us at BTW HQ, we’re very proud to have had a small part in the story and we can’t wait to see what’s to come in 2021!
Below are a few photos from Holly’s set back in 2018. If you want to check her our live, and you really should, she’s announced a headline tour this June, including a stop off in Nottingham – tickets are available here.
Ho ho ho and a merry Christmas from all of us at Beyond The Woods. Yeah it’s been a bit of a crap year but, in the words of Queen, thank God it’s Christmas!
We’re not here to celebrate the virtues of Mercury, May, Taylor and Deacon though, that’s for another day, because, yeah, sure, there are some great xmas classics out there, but here’s a refreshing list of other festive tunes!
Presenting our playlist of indie xmas bangers (please note: not every tune is a four-to-the-floor shake ya hips banger so to speak, but we think they’re all great songs and worth a listen!)
Is there a tune that we should add to our list, let us know on twitter!
We love bringing you loads of great new music at the festival in August, but we realised there’s no reason why we can’t showcase acts more often throughout the year. So we’re pleased to announce that indie-pop quartet Only Sun will be appearing at Akēdo Gaming Bar Lincoln next June!
With an infectious, upbeat sound and an arsenal of tunes, the band are touring to support their debut album ‘Tangled Mind’ and we can’t wait to bring them to a Lincolnshire audience for the first time!
This is the first of several show announcements from us, so keep your eyes peeled on our pages for more info!
Upbeat indie quartet Only Sun have recently taken the south by storm, now they bring their energetic riff-laden sound to fair Lincoln.
Having gained strong critical support of previous releases from the likes of Steve Lamacq, Tom Robinson and additions to some top playlists alongside other exciting emerging talent, the band embark on a tour in support of their debut album ‘Tangled Mind’.
Coupled with some of Beyond The Woods Festival’s top DJs and support from some of the best new talent in the area right now, this is set to be a night not to be missed.
Continuing our series of guest-curated playlists, we asked Lincoln DJ and sax extraordinaire Alderman to pick some of his favourite chilled tunes. Perfect for relaxing in the evening or a soundtrack to getting those pesky life admin jobs done!
Hi my name is Alderman and I’m a DJ, Producer and musician who has influences from genres such as Jazz, Hip-Hop and House. When I was creating this playlist, those three genres were the basis for lots of my decisions and in most tracks you can definitely hear at least one of those influences. So, here are my top five records from the Beyond the Woods Chill playlist.
Up first is the Tom Misch remix of Lianna La Havas’ tune “What You Don’t Do”. Tom Misch is one of my favourite producers because of his mellow sounding chord sequences and funky riffs. In this record he creates a chilled hip-hop beat which allows him to layer the guitar harmonies over each other which creates a really nice sound. Lianne La Havas’s vocals fit the vibe perfectly.
My next favourite song off the playlist is “Electric Relaxation” from legendary rap group – A Tribe Called Quest. The simplicity of their music makes them perfect to relax to and I love the use of old jazz samples in their music, a common feature from their era of Hip-Hop. The acapella adlib groove adds another dimension of musicality and easy listening.
Keeping on a similar Hip-Hop themed track. The way Vanilla’s tune “Summer” incorporates the melody from “Summertime” by DJ Jazzy Jeff and The Fresh Prince is why it is one of my favourites. Accompanied by the electronic piano and a classic rap beat, this record has such a warm ambience and I can imagine listening to this on a beach in somewhere sunny.
Going off on a Jazzy tangent, this next track is the perfect balance of House music and improvisation. The Atjazz Remix of “Rose Rouge” – originally produced by St. Germain – has a four-on-the-floor kick pattern which is layered with shuffling cymbals and clicks. It is a perfect electronic representation of a live drummer playing a jazz beat themselves. By slicing up the original solos, Atjazz keeps the vibe of St. Germain’s version, but also adds some synth chords as a mid layer. The vocal is simple and has nice tones which add to the chilled sound.
The final track out of the five is “Get Lost” by JuJu Rogers, Bluestaeb and Regis Molina. Featuring some really nice Saxophone improvisation and mellow electric piano chords, this track brings lots of chilled energy. It is one of those tracks you can just nod your head to and vibe with as it has lots of different elements that come in later but some elements are taken out and this creates different sounds throughout.
Thanks to Beyond The Woods for asking me to compile this playlist and I hope everyone can enjoy the chilled out tracks that I have selected.
We know it’s been said so many times but 2020 has been down right awful, and we’ve still got some of it left to go! Everyone has been getting pretty glum here at BTW HQ seeing loads of other festivals and tours share our fate, just as some amazing new artists were really starting to get into their stride.
But we’re trying to be positive about things, so here are some of the acts that we can’t wait to see once corona buggers off!
Not many other 21-year-olds can say that they’ve fought the world’s greatest rock’n’roll band in a fierce album chart battle, but Declan McKenna certainly can. His epic sophomore album, Zeros, fell just short of the top spot thanks to The Rolling Stones, but hey, some people put the Beatles second to the Stones so we’re sure Dec wasn’t too disheartened to be in that spot too!
She may only be 18, but this Irish songstress has been blowing us away with her spine-tingling voice and striking covers for years. It’s no wonder that she’s continuing to take our breath away with the collection of original singles she’s released this year. Luz is definitely one you won’t want to miss on a throng of support tours and headline shows next year.
Having been on the road pretty much non stop for the last few years, Leeds indie-pop foursome Marsicans have kept us waiting for their debut album. Fortunately, they managed to find some time to get into the studio – the famous Rockfield Studios which has hosted the likes of Queen, Oasis and Coldplay, the latter being big Marsicans fans themselves – and Ursa Major has certainly been worth the wait! The boys will be bringing fellow indie dreamers DECO and Sad Boys Club on the road with them next year, it’s sure to be a tour we can’t miss.
We were all blown away with Jordan Mackampa’s debut album Foreigner here at BTW HQ and his ability to blend his soul, folk and gospel influences so swimmingly is certainly a thing of beauty. We’ll be sure to be down the front when he’s finally able to tour the record!
The Big Moon
Having released possibly the best bit of merch we’ve ever seen during lockdown, an 1000-piece jigsaw based on the cover for their second album Walking Like We Do (with all proceeds going to homeless charity, Shelter) we can’t wait to see what kind of chaos the four-piece gang from London conjure up for their huge headline tour in the Spring.
Rising up the ranks of the vibrant Yorkshire indie scene over the years, swoonsome indie sextet Talkboy effortlessly manage to combine a miscellany of influences into their own unique sound, displayed no better than in most recent single Stupid Luck. We can’t wait to see their electric live shows, we’re predicting big things for this bunch!
With a reputation for raucous gigs, 2020 was shaping up to be a huge year for Sea Girls with them due to head out on their biggest run of shows to date. Unfortunately that’s on hold for the moment, but with their debut album Open Up Your Head reaching #3 in the official album charts it hasn’t been all bad for the lads. We can’t wait to see them come back to live shows even bigger and better next year.
Welcome to a new series of guest-curated playlists from a host of new-music tastemakers. We like to think we’re pretty clued up on indie bands and the like, but there’s so much more out there so we decided to get some friends to help fill us in!
First up: Andy Backhouse
No stranger to being behind the decks at the likes of Leeds Festival, Latitude and now Beyond The Woods, DJ Andy Backhouse has curated a playlist of of left-field pop. Perfect for when night takes over and you just wanna dance!
We caught up with Andy to find out about festivals, his favourite artists aright now and his love of all things odd-ball pop!
Hey Andy, tell us about how you got into DJing and some of your experiences playing at some of the country’s biggest festivals?
Hello Beyond the Woods gang. My first go was getting hold of some CDJ turntables at my youth club. If you can do that as a kid that’s like gold dust, and they were always fair game in the evenings after school. We even had a tutor for a few weeks. His background was in Eurodance and Happy Hardcore, but he very patiently sat with me as I had a go at mixing folky campfire tracks like Emilíana Torrini into electropop like Casiokids or Bicep.
I hosted as many shows locally as I could, set up the student radio station, then this fantastic experience came up at uni when I won a student radio competition from The Selector, and the prize was the fly out with the British Council to Mexico City, hosting shows on the country’s biggest new music station. It was called Ibero 90.9 FM, essentially Mexico’s answer to Radio 1 or 6 Music. It was basically students running the asylum, playing exciting new records from The Avalanches and SBTRKT to people sitting in traffic jams. There’s so many brilliantly talented DJs on that station, like Tskuanda Sierra, Davo Peñaloza, Vale Estrada, and Alan Luna. We’d spend the evenings going to gigs, getting stuck into the local scene and DJing downtown at a club called El Imperial, and I had such a brilliant time I flew back over the holidays to work at the station and do it all over again.
Festivals are what we do best in this country. I could wax lyrical all day about Visions Festival, an expertly-curated city festival from the Rockfeedback team. Latitude is like a whole wonderland in itself. It was my first DJ gig in 2013, thanks to the legend Huw Stephens, and I’ve been lucky to DJ the Lake Stage every year since. There’s something so special about that place.
Every August bank holiday since 2012 I’ve been at Leeds Festival, and for the last couple of years hosting the Festival Republic Stage. I started out picking up my GCSE results and now I’m the curmudgeonly old caretaker who won’t give you your ball back.
It’s easy to mythologise and rose tint the posters of any festival’s past, but I think festivals should always be reflecting the music of the time – opening the door for the future stage headliners to come through – and none do it better than Reading and Leeds. The Japanese House, No Rome and Black Honey really made their stamp on the stage last summer, and it’ll be interesting to see them climb the ranks over the next few years.
Then there’s End of the Road. God, what can you say about End of the Road. It’s the sunsetter for the festival season in Dorset, and I love DJing the beautiful Garden Stage every year as an excuse to get in. 2018 was a vintage year, seeing A-list indie headliners like Vampire Weekend and Feist play intimate shows (there are about 500 each) on the Woods Stage. But it’s the surprises that make End of the Road what is it: speculating who’s playing the secret sets in the Tipi, or discovering Bill Ryder Jones in the woods casually improv-ing on a piano. Just last year Ariel Pink whipped the crowd into a frenzy: part of a Sunday night wigout run that always seems to be a natural fit for the festival, they delivered something of a masterclass in danceified psychedelia. It’s one of the best curated festivals going – I’d recommend it to anyone.
We’re all gutted that festivals have mostly had to be cancelled this year, have you found ways to get out and about?
Getting to broadcast on Base Camp FM this year was a genuine privilege, and a reason to leave the house for a bit. It was set up by the Deer Shed Festival crew in the weekend the festival was supposed to be, which was a wonderful thing for the community, and it might turn out to be a very innovative idea: a socially distanced campsite with the festival vibes provided over the in house radio station. Well loved and very new bands from across Yorkshire like Mt Misery, The Howl and the Hum and Shadowlark came down to record live sessions for us, soundtracking the families’ socially distanced campfires and tinnies.
You know the bands that play Deer Shed are having as much fun as the crowd. We had Fran from Melbourne’s brilliant Rolling Blackouts Coastal Fever on the radio show (they headlined Deer Shed last summer), and he was more than happy to wax lyrical about the festival: he remembers bracingly stepping out into Yorkshire’s suitably Withnail & I stormy weather to the seminal classic, “If you like piña coladas, And getting caught in the rain”, then proceeded to serve out members of the crowd with the cocktails. Brighton’s Dream Wife too are good friends of the festival, and proved a real hit with the younger members of our audience. They remembered performing some PG-rated versions from their back catalogue, like ‘F.U.U.’, with an army of kids chanting back “bad, bad witches”.
It’s probably what makes Deer Shed so special, the fact that it’s a family festival in the realest sense, and it’s an ethos that Oliver and Kate and the team carried through into Base Camp. The kids aren’t side-lined into a children’s area – in fact they make up half of the audience every year, and they’re right in the middle of the action with their parents, discovering new bands like Rolling Blackouts, The Go Team and Dream Wife for the first time. We’re so lucky to have a festival like Deer Shed on our doorstep in North Yorkshire and this year with Base Camp doubly so. Stereolab are playing next year if all goes to plan, which is sure to be another vintage year.
How would you describe your music taste and what got you into it?
It’s probably oddball pop, a bit leftfield and a bit out there. It’s always what I’ve leaned towards really. I’ve loved every album Metronomy do. Georgia’s ‘Seeking Thrills’ is one of my favourites of the year, a love letter to Chicago House, and more than deserving of the Mercury nod.
The Late of the Pier record still feels like a miracle. It’s called ‘Fantasy Black Channel’. Produced by Erol Alkan, it’s four kids from Nottingham (including Sam who we now know as LA Priest) making bedroom electropop, which on paper, could have been of its time, but its legacy has reverberated over the years – Dave Grohl and Mike Skinner are massive fans. All the stars seemed to align for that album – it’s a real lightning in a bottle moment.
Compilations have always been a big thing for me, and I think I have almost all the early Maison Kitsuné and Late Night Tales compilations. I used to love bands like Asteroids Galaxy Tour from Copenhagen in Denmark, and I can’t wait to see what they do next.
Hearing Everything Everything’s first singles, and that two-punch of ‘Photoshop Handsome’ and ‘My Keys Your Boyfriend’, that was the most exciting thing, and I’m excited for people to hear their new album. I think it might be their best yet.
Huw Stephens’ late night shows on Radio 1 I used to listen to religiously. Growing up in a little town in Yorkshire, the music capital of London felt very remote. You didn’t have a laptop or an iPhone at that age, so Huw’s late night shows were a window to an outside world of music. It was surreal, when I was 15, getting asked to DJ Huw’s Lake Stage at Latitude. My first gig, playing tunes between The 1975, Loyle Carner, Bo Ningen, NZCA Lines and Wolf Alice at the very beginning.
Tell us some of your top picks from the playlist…
A good entry point to the genre:
Everything Everything are always full of brilliance and invention, and I’m excited for people to hear the album next week. It’s called ‘Re-Animator’ and I think it might be their best. John Congleton’s on board (Grammy-tier producer for St Vincent, the Killers and Chairlift) and they’ve really gone to town on this record. There’s an in-the-moment, joyous exuberance seeping out of it in a way we haven’t really seen from them before. I hope they keep making music for many years to come.
Someone who’s a legend in the scene and you can’t think of left-field pop without hearing their name:
Georgia’s brilliant, everyone knows she’s brilliant. I’ve been a fan of her music for years now. Inpsired by Keith Flint from the Prodigy, onstage she looks like she’s charging into battle: drumkits crossed over head, battering her Simmons electronic drumkit (she was inspired by footage of her heroes Depeche Mode). The record ‘Seeking Thrills’ is just as bold and rallying, and the Mercury Prize nod is a cherry on top.
Someone you’re tipping for exciting things:
God, there’s too many to name. It’ll have to be a list. ML Buch from Denmark gave us a wonderful record this summer, which seems to reveal a bit more of itself on every listen.
Junior Brother from County Derry would be perfect for Beyond the Woods one day. He’s Ronan Kealy, from County Derry, and he writes stomping, big-hearted ye olde pub singalongs. The first time I saw him was at the Eurosonic Noorderslag festival in the Netherlands and he whipped the crowd into a frenzy.
I love Busacabulla and their track ‘NTE’. They’re originally from New York (they now live in Porto Rico), sharing that distinct, laidback, laisse fare sound of ESG and Tom Tom Club before them, and it’s the move to their new home that inspires their album ‘Regressa’.
Jarami are doing something very exciting. They’re Rami Dawod and Jacob Olofsson from Stockholm – one of those production duos that everyone in the industry knows and respects (they worked on Frank Ocean’s ‘Chanel’), but now they’re stepping out front and centre with their single ‘Company’. Definitely one of the singles of the year.